Pop Culture Peeve

Every reader has something (possible multiple things) that ruins a book for them. These are little pet peeves that are unique to each individual reader and do not necessarily have anything to do with the writing skill of the author. These are simply things that a reader does not enjoy reading. For me, my reader pet peeve, my little brain tick, is pop culture reference in fiction.

It doesn’t make a whole lot of sense, but pop culture references in fiction really, really bother me. If a character refers to using her cellphone, that’s okay, but if she says the word “iPhone” I get a twitch in my jaw. If a character is playing a video game, no problem, but if they’re playing a Nintendo 3DS I start grinding my teeth. A character can be watching Saturday morning cartoons, but if the specific cartoon happens to be the most recent incarnation of Pokemon, I want to tear the page out of the book.

This pet peeve has made itvery difficult for me to get through some books that I otherwise enjoyed very much. In one particular series the main character makes constant reference to her MacBook Pro… That’s a triple whammy for me because it’s not just a Mac. It’s a goddamn Mac Book Pro.

What’s really funny about this little tick of mine is that it’s present-time exclusive. Only pop culture references that are current to the times bother me. Ageless pop culture is perfectly fine. So a character is safe if they’re watching Star Wars, but not if they’re watching The Hunger Games. I don’t mind if a character is listening to ACDC, but I can’t handle it if they’re listening to Justin Bieber. By all means, have your character own a mobile phone, but if you feel the need to tell me that the phone is the latest, greatest Samsung Galaxy S4, I might just toss the book out the window.

I suspect that the problem stems from a pop culture reference’s ability to forcefully mix fantasy and reality, while additionally forcing the reader into the present. Say, for example, we’re talking about an alian invasion story. Okay, well we know that aliens have never yet invaded Earth, so we suspend disbelief and imagine that the story is taking place in a time that hasn’t happened yet. But if a character starts talking about their PSP, we get hauled back to the present and suddenly it’s hard to get back into the story because we are fully aware that an alien invasion is not currently happening.

But Tracey, you might ask, what about stories that take place in the past, but crazy things like alien invasions happen, like in the movie Cowboys and Aliens? Easy. Those stories occur in alternate timelines or parallel universes, thus the differences from reality are fine…unless you use current-time pop culture references that bring the reader back to the present and thus screw up the illusion.

Okay, okay, it’s a flawed theory at best, but it doesn’t change the way that I feel about these things. Being slapped in the face with a piece of information that proves a story is meant to be taking place in real time, right here, right now, takes me out of the story and makes it harder for me to enjoy. To me, even if a piece of fiction occurs in modern-day Earth, I like the illusion of it being some other world. I read to escape the real world, and trying to make me feel that the story world and the real world are one in the same ruins that mood for me. I’m certain that not all readers think this way, but I’m also sure that there are plenty of readers who do. Keep pop culture out of my fiction!

How do you feel about pop culture in fiction? Annoying or unnoticeable? Do you have an other reader-specific pet peeves? Please share!

Interview with a Vampi-…Uh, I mean, Character

A reminder: This post courtesy of Julie Jarnagin’s 101 Blog Post Ideas for Writers.

94. Interview a character

For the purposes of this post, I did a quick Google search and found some good character questionnaires here. I’m going to use the first set of questions on the page, and since it’s supposed to be an ‘interview’, I’ll reword them a bit an answer them as though I am the character. Fun, yes? If the responses seem a bit vague or odd, it’s because it would ruin the actual story if I answered them in a straight-forward manner. 🙂

What is your name, and do you have any nicknames?

“My full name is Victoria Ann MacKinnon, but everyone calls me Tori.”

What is you hair color? What about your eyes?

“My hair is strawberry blond and falls just below my shoulders. I usually wear it up in a ponytail. My eyes are very bright blue; sometimes it freaks people out that they’re so bright…I always have people thinking that I’m wearing special contacts.”

Do you have any distinguishing features, such as a birthmark, or scars, and if so, how did you get them?

“Nothing major, really. I have a faint scar on my knee from when I wiped out on my bike when I was a kid, and one across my left index finger from the first time I tried to cook for myself. I’m…not good with knives.”

Describe your friends and family. Who do you surround yourself with? Who are you closest to and who do you wish you were closer to?

“My family is just my parents, Katherine and Robert. I have a few aunts and uncles, and three of my grandparents are still alive, but they live far enough away that I never see them. I used to have quite a few friends…before…but I haven’t seen many of them lately. The only one I ever really hang out with is Jacen, but that’s only because he won’t leave me alone. Not to say that I don’t like Jacen, but I really wish he’d mind his own business and let me…let me just be. My problems aren’t his.”

Where do you go when you’re angry?

“The nearest bar. That’s a bit of a cop-out though, because lately that’s the only place I go besides work.”

What is your biggest fear? Who have you told this to, and who would you never tell? Why?

“My biggest fear? Probably having to face the truth about my…condition. The only one who knows is…well I won’t talk about him. I would never tell anyone else,  because it’s hard enough dealing with it on my own without having to deal with the pity I’d see in other people’s eyes.”

Do you have a secret?

“You hadn’t figured that out from the last question? Yes, I have a secret. No, I won’t share.”

What makes you laugh out loud?

“Not much, these days. I used to really enjoy crappy old b-movies, but I can’t seem to get into them anymore.”

Have you ever been in love, had your heart broken?

“Okay, that’s it, this interview is over. Goodbye.”

Difficulty Level: Hard

A reminder: This post courtesy of Julie Jarnagin’s 101 Blog Post Ideas for Writers.

85. The most difficult scene or piece you’ve ever written.

This prompt could be looked at in a couple of different ways depending on your definition of “difficult”. The first thought that came into my head was difficult in the emotional sense, in that it was difficult to write because of some personal issue. Then I thought about difficulty in the sense of being hard to write because the words won’t come or you can’t figure out how to explain what you’re imagining.

So in my typical, indecisive manner, I decided to write about both. Lucky you, hmm?

First, emotional difficulty:
I’ve mentioned before that I’ve done some of my best writing while I was depressed, so you would expect that there would be lots of examples of this, but there actually aren’t. I’ve written a lot while depressed, but I’ve rarely written something that made me depressed.

There is one scene, however, that I found very difficult to write emotionally. It wasn’t difficult because of any personal issues; it was difficult because it involved the death of a character. Now call me crazy if you wish (I know some of you are thinking it, don’t lie!) but I know there are lots of writers out there who have my back on this one. I had a very, very difficult time writing the scene because it genuinely hurt. I had invested a lot in this character, had created a person who I cared about. And then, for the good of the story, I had to write about life leaving this character as their friends looked on in horror. I’m not proud…I got a little choked up. It was like choosing to kill a friend. That might seem a little ridiculous to some, but I look at it as a good sign. After all, how can I expect my readers to be touched by the scene if it doesn’t even affect me?

As for literal difficulty, the hardest scene I ever had to write was definitely the first battle scene I ever wrote. It was very difficult because I could visualize what I wanted to be happening, but I couldn’t determine the words I needed to convey that scene. I don’t have a great deal of knowledge about weaponry, swordplay, fighting stances, and so on, so my descriptions boiled down to oversimplified sentences such as, “the swords clashed against one another” and “he dodged and slashed out his own attack”. It drove me mad because as I was writing it I knew that anyone who read it would be imaging something tame and boring, while I had this epic battle raging through my head.

Since that first scene I’ve gotten much more practice writing fights and battles. I’ve made a point of attempting to retain the information I glean from others’ books, as well as from movies and other sources, and I’ve found that it has helped a great deal. To this day I still find battles very difficult, but they are much easier than they used to be, which hopefully means I’m learning. No pain, no gain!

Internally Inspirational

A reminder: This post courtesy of Julie Jarnagin’s 101 Blog Post Ideas for Writers.

40. Where to find inspiration

Ah, inspiration…that elusive elixir of writer-juice. Did I seriously just say “writer-juice”? That is a lack of inspiration right there, if ever there was one.

If there’s one thing that’s as hard to get a grasp on as motivation, it’s inspiration. How many times has a writer sat down in front of a blank piece of paper or an unsullied word processor file and just stared, dumbstruck, unable to produce words? I’d be willing to stake my reputation (such as it is) that for every word that made it on to the page, a hundred went unwritten simply because the writer couldn’t grasp the inspiration required to create.

There’s an old adage that one should “write what you know”. On one hand, I disagree with this concept. If we all only wrote what we “know”, the world of literature would be a pretty boring place, since everything would have to be based on facts and the physical reality of this world. We would never have books about magic and dragons, alien worlds and alternate realities, creatures of the night and immortal gods of the universe. If we write only what we “know” we find ourselves trapped in reality, and while that is fine for some books, it cuts our possibilities by a vast, positively immense number.

On the other hand, writing what we “know” can be excellent inspiration. Look at the world around you. Some of the people we see every day can make excellent characters for our books if we just tweak them a little bit. Look at their habits and mannerisms, their quirks and unique personalities. Some of my favorite characters are based on people I know in real life, and many popular, successful authors have admitted to doing the same.

Similarly, sometimes we only have to look as far as our own pasts to find nuggets of inspiration for our stories. Two years ago for NaNoWriMo I decided to write a supernatural romance (don’t judge me) and was having a difficult time with the setting. I already had an idea of who my characters were going to be and I knew I wanted them to get trapped together, but I was having a hard time with how they would meet and why they would get trapped there. I wanted my idea to be at least marginally original, since much of my story was likely to follow along the lines of the ever-expending world of soft-core vampire porn (what did I say about judging me?!). I thought about it for a while before I came up with a great idea. My female character would work in a paper mill. It was a great idea for several reasons. One: I worked in a paper mill, so I could describe it realistically. Two: I know what it’s like to be a woman in a male-dominated field, so I could express my character realistically. Three: it gave a believable explanation  for my characters to be trapped there together…see, my male character was a werewolf being hunted by other werewolves, and since a paper mill is rife with the smells of steam, pulp, and chemicals, it’s reasonable to believe that the other werewolves wouldn’t be able to track his scent from there.

Of course, inspiration can come from many other sources: dreams, other forms of media (remember, nothing is truly original anymore), world experience such as traveling, and not to mention good old fashioned research. Inspiration can really be found anywhere if you’re just willing to look for it. But I do truly believe that most of the time all we have to do is look at ourselves, our own lives and experiences, the people and places we’ve known or seen, the things that interest and amuse us. Sit back and think for a minute, and then…write.

Gimmi that idea!

A reminder: This post courtesy of Julie Jarnagin’s 101 Blog Post Ideas for Writers.

30. The book idea you wish you’d thought of first

There are so many books I could choose for this. My mind is racing through a list of amazing books that were made into amazing movies and are well-loved around the world. Hell I could even pick from the list of terrible books that, regardless of their massive crappiness, have made their authors millions of dollars.

In the end, even though it’s probably a little predictable, I have to go with A Song of Ice and Fire, the fantasy epic series by George R.R. Martin. Not only is it a hugely successful novel series and a riveting HBO special, but it is also a genuinely, flat-out amazing story. It has it’s issues (“Why hello there, random, completely unimportant character! What’s that? You have a life story you’d like to share? Well pull up a chair!”) but they don’t stop you from both reading and enjoying. The characters are written in a way that you can never be sure who is a good guy and who is a bad guy until they do something drastic, and even then you’re not always sure. The subplots intersect in a way that I can’t even fathom having to coordinate, which just amazes me as someone who can barely keep two thoughts straight at the same time. I could go on and on about the series, but that’s not the point of this post. The point is…damn, I wish I’d thought of that idea first (and had the ability to pull it off)!

The Trick is to Learn From Them

A reminder: This post courtesy of Julie Jarnagin’s 101 Blog Post Ideas for Writers.

22. List the biggest mistakes you made in your first manuscript

For the purpose of this post, I am going to use Nowhere to Hide, my zombie apocalypse novel, because it is the only (non-fan-fiction) manuscript I’ve ever finished (minus the editing part, which is happening now). So, without further ado:

– I didn’t plan anything. While I’ve mentioned before that I’m not the planning type and that I tend to prefer just writing, I suspect that having a general layout (at the very least) would have significantly decreased the length of time it took me to finish this story.

– I wrote a prologue. I personally don’t see this as a ‘mistake’, exactly, but after having a number of people on Critique Circle tell me that the prologue was pointless and detracted from the story, I guess it was maybe a mistake.

– I started a “shout-out” naming convention, giving my characters last names of famous horror-guru authors/directors/etc, and then promptly forgot about following through with it once I hit the fourth character.

– Looking back at certain sections of the story, I see that I rushed through things that I didn’t find as interesting, but are actually fairly important parts of the overall narrative.

– I didn’t establish character stories. I’m sure this isn’t a necessity for everyone, but if there’s one aspect of the planning process that I, personally, should be doing, it’s creating character backgrounds ahead of time. I tend to just go with the flow, and more often than not I find myself writing my main character’s feelings or actions to reflect how I think I would feel or act, but that’s not really a smart way of doing things. Not all of my characters can have my exact personal thoughts and beliefs. That’s just foolish. What I really need to start doing is establishing my character’s lives and personalities before I presume to write about them.

I’m sure there’s more, but I don’t really have to bash myself all night long, do I? 🙂

Dealing with (Imaginary) Death

My daughter loves Sesame Street. She knows a ton of characters, even if she can’t quite pronounce them all (“Tookie! Ahnie!”), and if we’d let her she’d have our living room television playing episodes and specials all day, every day, until the Elmo’s World theme song made our heads explode.

If you can handle ten hours of this a day, you are the toughest person I know.

It is for this reason that my husband tracked down “40 Years of Sunny Days”, a special done a few years back that documented a bunch of famous scenes from over the first (first!) 40 years of the show’s life. I popped the show on the other day, partly for the little missy, but also partly because I was curious to see which of the scenes I remember from my childhood would pop up.

Tell me you don’t remember this, I dare you.

At one point – I believe it was somewhere in the “Years 10-15” section – a scene came on that I’d never caught when I was a kid because it was an old episode by the time I was watching. It was the episode where Mr Hooper dies and the adults have to explain to Big Bird about death. In the scene, Big Bird has drawn pictures of all his adult human friends and is passing them out as everyone oohs and ahhs over what a great job he’s done. When he comes to the end and asks where Mr Hooper is so he can give him his picture the adults go silent and look at each other like no one wants to have to be the one to explain it. They take turns explaining to Big Bird (“Don’t you remember? We told you that Mr Hooper died?”), who reacts with the same kind of misunderstanding, anger, and distress that a small child might. Eventually he comes to grips with what the adults are telling him and says that he’ll miss Mr Hooper, as he hangs the picture he’s drawn up at Hooper’s Store.

I won’t lie; I almost teared up. The baby, of course, had no idea what she was watching, but I certainly did. Strangely, though, the primary thought that was running through my mind as I watched the scene play out was, “How hard must it have been for the writers to prepare this scene?” Unlike writing the deaths of fictional characters, the writers for Sesame Street were writing about the actual death of a man they’d worked with, who had been on the show for many years and was an important part of the world which they’d created together. He wasn’t just a character, he was their friend. I can imagine it would have been even more difficult for the actors who had to perform the scene. In fact, one of the other actors, Bob McGrath, was quoted as saying, “I couldn’t go near the store for about a year after he was gone” and the scene in question was done in one take because the crew was too emotional after the first try to do another one.

The whole thing amazed me quite a bit because of how emotional I can get when my completely fictional characters are killed off. Even though these are people who exist only in my own mind, I’ve found myself nearly in tears when it came time for one of them to die. Maybe that means I’ve written them to be likable. Maybe it just means I’m a huge sook. Either way, it can be surprisingly difficult sometimes. I’ve even been known to fight with myself over whether or not I can change the story so that the character doesn’t have to die. It’s this attitude that is making it so difficult for me to figure out the (eventual) ending to my fantasy novel. Logic dictates that one of two particular characters has to die in order for the ending to make sense, but it kills me to do that to either of them.

Do other writers deal with this, I wonder? I mean, without the character in question being someone they actually knew?

Prompts

A reminder: This post courtesy of Julie Jarnagin’s 101 Blog Post Ideas for Writers.

10. Creative prompts for other writers

Now here’s a twist. Usually I’m the one searching for prompts, not the one giving them. I’m concerned about my ability to come up with a prompt that is actually useful, so if you come across this list and decide to use one of the prompts I’ve given, please let me know if it was any good! 🙂

– Your character wakes up on a perfectly normal day, has breakfast, gets ready for the day, and walks out of their home to find…silence. Every other human (or if you’re really keen, every other creature) on the planet has mysteriously vanished overnight, with no signs as to what may have happened to them…

– Your character is vacationing on a sunny resort, perhaps taking a walk on the beach, when all of a sudden they are grabbed from behind and dosed with chloroform…

– Your character is a futuristic astronaut, exploring new worlds for breathable atmospheres and signs of life. On a newly discovered planet, on which your character is supposed to have been the first person to set foot, your character stumbles across a small human child, playing all alone in a field…

– Your character finds his/herself standing alone on a busy city street with no recollection of how they got there or who they are. All they have is their wallet, full of credit cards and store membership cards, but their ID has been stolen…

Hope these help someone! 😀