Be Brave. Stand on the Edge of the Cliff.

I’ve mentioned this before, but it is my belief and experience that writers (and artists as a whole) are a naturally self-depreciating bunch. Oh sure, we all have our moments when we feel on top of the world and are convinced that our writing is the most brilliant thing to come into this world since Shakespear, but the majority of the time we’re meak little creatures, hiding in a corner and insisting that if you just give me more time it’ll be perfect and then you can read it, I swear! Admit it, fellow writers: does this sound like you?

There are two major downsides to this kind of attitude. One, no story ever written was perfect, especially from the writer’s point of view, and trying to make it perfect will only drive you insane. Two, if you never get to the point where you’re ready to show you work to another human being, you’ll never go any further. Sometimes you have to be willing to put yourself out there, if only to know that you were brave enough to do it.

A little while ago, when I wrote my first “Things I Know About Kids” post, I had a thought…the kinds of things I was talking about (and planning to talk about) seemed like the kinds of things that belonged in a parental magazine like Today’s Parent. I considered this concept for a little while, even going so far as to look into how one would submit an idea to a magazine, but in the end I didn’t do it. Why? Because, like many writers before me, I look down on my own writing. I thought to myself, “There’s no point in persuing this idea because it’s never going to happen. Why would any magazine want to publish my awful schlock?” Admit it again, fellow writers: how many times have you thought this exact thing when considering a submission or query?

It wasn’t until three days ago that a little light flicked on in my head. I recalled a ridiculously cheesey quote that my husband once brought up back in high school: “You always miss 100% of the shots you don’t take.”

Yeah, it sounds hokey, but it’s true. You can’t succeed if you don’t set yourself up for the possibility of failure. That’s just the way things work. Not many people in this life are lucky enough to be “discovered”. Most of us have to put in the hard work, put ourselves out there, and risk failing. And when we fail, we have to pick ourselves up and go through it all over again. Glamorous? No. Necessary? Yes.

So with that on mind, on Friday I took some time and wrote a query letter that made me cringe, but that I knew to be more-or-less the proper way of doing things, and I shot it off to Today’s Parent. I’m not expecting to have my idea accepted (though it would be nice!) but what I realized was that there was zero chance of it being accepted if I never put it out there.

It’s a scary thing putting yourself at the edge of a cliff with the chance of being pushed off, but if you don’t do so you can never see the view. No, I honestly don’t believe that Today’s Parent is going to write be back and tell me I had a brilliant idea and they want to publish it immediately, but it still feels good to have taken that step, to prove that I’m brave enough to stand on the edge of the cliff. And should I, in the following weeks, recieve a kindly-worded (or even not-so-kindly worded) rejection letter, I shall do as many before me have: I’ll print that sucker out and stick it to my wall, because each rejection is just a step toward acceptance.

If you’re an unpublished writer, have you ever submitted anything for publication, or sent a query to a magazine or other venue? How did it make you feel? If you’re a published writer, how many rejections did you get before getting something published? Do you keep your rejection letters? Please share!

Things I Know About Kids: How to Get Them to Talk to You

For those of you who don’t follow Internet memes (click the link if you have no idea what a “meme” is), there is one that has been going around for a whole now that has been dubbed “Advice Mallard”. I haven’t the foggiest clue where the original idea came from, but the meme is a picture of a particularly photogenic duck, upon which people write pieces of advice. The advice can range from “duh”-level obviousness to thoughts born of personal experience that are actually pretty helpful. One such example that I came across a while back was this one:

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In case anyone can’t see the image, it says “If you want your kids to feel like they can tell you anything, don’t overreact when they tell you something.” More easily said than done, perhaps, but still something I strongly believe parents should take to heart.

I can’t think of any personal examples because my parents were fairly approachable, but I can think of several examples where friends or classmates landed themselves in a lot of trouble because they didn’t talk to their family for fear of the reaction.

Let me paint you a picture. Imagine a young girl, 13 or 14. She’s in the cusp of the joys of puberty and decides to ask her mother about sex. It’s an innocent question…for the sake of our story we’ll say that she asks how you know when you’re ready to have sex. The mother could sit down and have a frank, honest conversation with her daughter, but instead she chooses to pitch a fit: “You aren’t ready for sex!” she shouts. “You’re not old enough to have sex! You’re too you to be even thinking about sex and I don’t want to hear another thing about it until you’re married!

Fast forward a bit. It could be a few years, it could only be a few weeks. The girl has a boyfriend, and in the infinite wisdom of the young, they decide to get intimate. The girl knows she should be on some kind of birth control, but she has no idea how to get it, and after the last reaction she got there is no way she’s going to talk to her mother about it. Ultimately she ends up going without because, lets face it…kids never think anything bad is going to happen to them. She ends up pregnant. She can’t hide it for long and her mother finds out. Amidst a slew of angry shouting and accusations, the mother releases this gem: “Why didn’t you ask me to get you on the pill?!

Given a number of different possible original conversations and end results, I’d be willing to put money down that most kids have had to deal with this kind of thing. Perhaps it didn’t end with such a dramatic result, but think back: how many of you avoided discussing something very important with your parents because you were terrified of the reaction you’d get? And how many of you had to later deal with your parents’ completely clueless reaction to why you would feel you couldn’t go to them with your problem? Betcha most people reading this are raising their hand right now.

Humans have a very basic learning pattern that is based on cause and effect:
Flower pretty; flower good.
Lightning scary; lightning bad.

This translates to young children in the form of the discipline we give them. If they do something and we laugh, they’re going to keep doing it. If they do something and we scream and yell and send them to their room, chances are they’re going to think twice about doing it again.

It’s no different when it comes to making your children feel comfortable bringing things to you. If they bring you an issue and you’re calm, understanding, and helpful, they learn that you’re a good person to come to with their problems. If you have a fit, yelling and dictating your authority, they’re going to avoid bringing anything to you at all costs.

Consider this when your kids come to you. If they tell you they’re being bullied at school, don’t storm down their and start raving like a lunatic, embarrassing the hell out of them; talk to them about it and come up with a game plan together. If they tell you that they think they have a problem with drugs or alcohol, don’t preach and berate them for being an idiot; praise them for coming to you and work with them to get through it. And for the love of all that is good, even if you still think of your kid as being a child, if they come to you asking about birth control, get it for them. Work in a calm, honest conversation about sex, sure, but absolutely get them the birth control because here’s the thing… Whether we like it or not, and no matter what we do to try and stop them from making stupid mistakes, our kids are ultimately going to end up doing whatever they damn well please. Knowing that, does it make more sense to try (and fail) to force them to make the decisions you want them to make, or to openly and supportively give them the help and information they need to make smart decisions on their own?

Yeah. That’s what I thought.

Have you ever felt like you couldn’t go to your parents with something important? What made you feel that way? Did it end up causing problems down the road? Please share! I’d love to hear from you!

Like a bra, unsupportive people are useless.

A reminder: This post courtesy of Julie Jarnagin’s 101 Blog Post Ideas for Writers.

87. Dealing with people who are unsupportive.

I feel for people with this problem, I really do. Personally, I’ve been lucky enough that it hasn’t been much of an issue for me. I’ve had people in my life who perhaps were disinterested or indifferent about my writing, but rarely have I had to deal with someone who was outright unsupportive. The most important people in my life have always been perfectly supportive of anything that I chose to do (for the most part) with my life, and most people I’ve known have reacted to my writing with polite interest and the occasional, “Good for you!” The most unsupportive people I’ve really had to deal with were the occasional reviewers who critiqued my work based on personal opinion and tastes, which is something that any writer is bound to have to deal with in spades.

Despite the luck I’ve had, however, I’m not naive… I know that there are plenty of writers out there whose families/friends/spouses/etc are monstrously unsupportive. I’ve read blog posts from writers whose significant others scoff at them for “wasting time” on writing. I’ve spoken to fellow NaNo novelists whose families and friends laugh at them for bothering with something so “stupid and pointless”. I’ve heard about school kids whose parents and even teachers have scolded them for bothering to waste their efforts on “useless stories”.

And it’s sad. Writing, like other arts, has a stigma attached to it that basically boils down to, “you ain’t gonna make any money off that, so why bother?” That’s depressing for two reasons. One, that attitude in and of itself is the epitome of being unsupportive because you don’t know if you can make a living off of something until you try – that’s true of anything, not just the arts. Two, even if you’re not interested in making money, the bad attitude suggests that writing is pointless even if it’s just a hobby. Consider that for a moment. If someone works hard all day and then goes golfing during their down time, well that’s their prerogative – it’s their time to do with as they choose. But if someone else works just as hard and then uses their spare time to write, it’s all “what a waste of time” and “why don’t you do something productive?” and “what’s the point of that if you’re not going to make any money off it?”

This is a generalization of course, but it’s something that plenty of writers put on with on a regular basis.

Without any personal experience there isn’t a whole lot I can say about dealing with unsupportive people. My instinct is to say, “cut ’em loose” because people who can’t be supportive of your decisions don’t deserve to be in your life. That becomes sketchy, however, when the unsupportive person is the spouse you love very much, or a parent when you’re a minor under their roof. So I guess the best advice I can give is to understand that there are people out there who are going to be unsupportive of your goals and dreams, and that sometimes you’ll have to put up with them for a while, but you don’t have to listen to them. Stay strong, believe in yourself, and when you become hugely successful you can turn around and laugh in their stupid, unsupportive faces.

Caution: Avoid At All Costs

A reminder: This post courtesy of Julie Jarnagin’s 101 Blog Post Ideas for Writers.

43. Mistakes to avoid in manuscripts

My three answers to this prompt are based on personal experience with what I’ve seen people do when submitting excerpts to be critiqued on Critique Circle. If you’re a writer and you’re reading this, feel free to add suggestions of your own in the comments.

– One major thing I notice is that tons of people (at least when they’re looking for critiques) pass along pieces of their work that are drowning in spelling, grammatical, and punctuation errors. This is a huge turnoff for anyone who is reading the piece, whether it be for critique, editing, or publishing purposes. I know that no one is perfect, definitely not myself, and that mistakes will be made, but when you’re reading a piece and you find ten spelling errors in the first half a dozen sentences, you begin to wonder if the piece was submitted to you by a five-year-old. Additionally, I’m sorry, but if you don’t have a half-decent grasp on grammar and punctuation, you might have to reconsider your field. Again, I know no one is perfect – I myself often feel that I’m putting in way too many commas while also feeling that every single one is justified – but if the person reading your piece is finding at least one mistake in every single sentence, you are absolutely not going to be taken seriously.

– Word abuse is a complaint I’ve come across many times, and I can definitely understand why. Have you ever read a book in which the author seemed obsessed with a few particular words or phrases and used them constantly to the point that it was both noticeable and annoying? I definitely have. It’s not something that any writer does on purpose (at least I don’t believe so), but sometimes there is just a word you enjoy and so it weasels its way into your work over and over again. I myself have a tendency to overuse the word “incredulous”. I don’t know why, but it seems to come up constantly and makes editing a nightmare as I struggle for different words to use to break up the bad habit.

– The dreaded Mary-Sue Effect, or more recently known as the Bella Swan Conundrum. If you’ve never heard of a Mary Sue, it’s a name given to characters who are unnaturally perfect, with no discernible flaws to speak of. These characters are written to be the ideal person, loved by everyone, someone who never makes mistakes and is naturally perfect at everything that matters. These types of characters have existed for a long time, but one of the new pop-culture-reference examples is Bella Swan from the Twilight Saga. Bella is not special in any way, other than for the fact that the psychic vampire Edward Cullen cannot read her mind. And yet, despite her decidedly common nature, she is portrayed as (to put it bluntly) the Center of the Universe. All the male characters love her, except for the ones who think her important enough to want to kill. She is constantly surrounded by danger, drama, and conflict, and she always comes out of it completely unscathed. She succeeds in everything she tries. This is not how a main character should be. Some readers love this kind of character because they like to imagine that they are that character…this is called wish fulfillment, and while it can serve it’s purpose, it is not good literature. Good characters should have flaws. They should make stupid mistakes and suffer for them. They should have to struggle for their successes, and they should have to deal with all the same issues that life throws at all of us. If you want to make a good character, make them real, not ideal.