A reminder: This post courtesy of Julie Jarnagin’s 101 Blog Post Ideas for Writers.
72. Developing a compelling hook
I’m quite certain that a great deal of literature has been written on this subject, but unfortunately I have not read any of it. All I can really give is my opinion, based on the fact that I’ve been an avid reader since I was about 8 years old.
To me, the trick to developing a compelling hook is to be both realistic and unrealistic at the same time. Sure that doesn’t make sense, but hear me out. First, you have to be somewhat realistic with your characters and settings, because even when your reader is looking for fantasy, sci-fi, horror, or any of the other crazy options there are, they want to feel some kind of connection to the story. If your character is a gorgeous creature who was born with a silver spoon in their mouth and is absolutely perfect in every way your reader is going to have a hard time giving a rat’s behind about them. In fact, they’re more likely to hate them and not want to read about them anymore. But if you give your character some flaws that the reader can relate to (they were teased mercilessly as a child; they have an alcohol problem; they’re embarrassingly clumsy; etc etc etc) the reader is more likely to connect with them and want to follow them through the story. George R.R. Martin’s writing is a great example of this. In his A Song of Ice and Fire series you can easily find yourself rooting for multiple characters on different sides of the battles, because even the most evil characters have certain traits or beliefs that force you to relate with them. Sure, they’re still creeps, but you can’t help feeling that they could almost be your friend in a different situation, which makes you want to find out what happens to them.
Moving on, once you’ve established this sense of realism, you have to move on to being unrealistic in your story. See, the thing is that (for the most part) reality is pretty boring. The world is a pretty amazing place, yes, but the everyday world is, well…every day. People don’t read fiction because they want to read about the same things that they see every day in their own lives; they read fiction to put themselves into another world, a place that’s strange and different and lets them escape from the mundane. To continue using Martin as my example, his world first seems like a perfectly realistic medieval land, but suddenly you find out that it’s also full of magic and dark creatures. You’re relating to the characters and the world they live in, but you’re also surrounded by the odd and unusual, the kinds of things you secretly wish were real.
This doesn’t exactly help develop a “hook”, but I think that these are two important things to keep in mind when attempting to do so because any plot idea you do come up with will be a lot more enjoyable to read if these two ideas are kept in mind.
Or maybe I’m wrong. If so, feel free to debate it with me!